Got Batik Batik Not Necessarily Know

Written By Unknown on Thursday, March 10, 2011 | 6:20 AM


The absence of a written reference about the collection of traditional batik motifs or patterns cause intergenerational knowledge gap. The problem will arise when the older generation had no time to lose all his knowledge to younger generations. The gap has led to lack of understanding the younger generation will be rich heritage of the past. We did not realize that the real Javanese batik rich in style and motifs, that number could reach thousands, "as written in the press to the press at the launch of the book Engineering Ornamental Variety Batik Yogya and Solo, which took place in the Restaurant Palalada, Grand Indonesia Shopping Town, Thursday, March 10, 2011.

That said, batik patterns already exist in Indonesian society since the XII century in Kediri, East Java. However, it turns out batik pattern has ever been found also in ancient Egypt since the fourth century BC, also existed in China since the year 618-794. But there is no specific literature that expresses this. Not many are also literature that explains the exact meaning of the motifs and batik pattern that has developed so much, maybe this time amounted to thousands.

Do not want batik motifs and their philosophical wisdom and values ​​contained in them is lost, an intellectual Java, Ir Sri Soedewi Samsi, wrote a book titled Techniques Ornamental Variety Batik Yogya and Solo. In the book, Mother Goddess, so he was usually called, intends to perpetuate patterns of batik through his book for Indonesia's young generation can learn and preserve their heritage.

Since the 1970s, the Mother Goddess has been collecting traditional batik patterns and motifs. He travels from village to village in Yogyakarta and Solo to look for typical local village style batik. From penelusurannya, the woman who is now 81-year-old is usually only found ready-made batik cloth, such as scarves, long cloth, tablecloth, and so forth. From the fabrics are Mother Goddess learn curve, line, and ornaments that are in it to then be translated in the form of pictures or patterns. Assisted by a Javanese batik pattern peggambar, Mangundikarso (deceased), Mother Goddess redrawing each motif in detail and named it as the name known to the public, then grouped according to type.

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